The FA2 Fellowship Session 1 covered the basics of the Tezos blockchain, explaining what role smart contracts and tokens play in artistic production, and how the FA2 standard acts as a common language for art tokens on Tezos.

The ACCOMPART’S curation, presented at Art on Tezos: Berlin, was a deliberate and striking departure from conventional curation. 

As image generation accelerates beyond human imagination, Sara Ludy redirects attention to human perception and intuition in her latest series curated by Office Impart for Art on Tezos: Berlin.

Before the web learned to scroll, Auriea Harvey was teaching it to feel. With Me and My Ghost (2024), Harvey goes back in time. The series resurrects webcam images she generated in 2001 of  abstracted self-portraits, mirrored, glitched, and layered.

Born from the early experiments of blockchain art, bootloader: revives the overlooked expressive potential of SVG and JavaScript.

Leander Herzog’s Flips creates a spray-like aesthetic as a side effect of recursion, balancing urban energy with computational precision. The scale invites sweeping views and intimate zooms, revealing a multitude of details.

Sasha Stiles' Cursive Binary may appear to be digital calligraphy, however, it is in fact an entirely new language for transhuman communication, fusing human cursive with the binary code of machines.

Discover the story behind Newtro, a hybrid collective, peer-learning platform, and curatorial laboratory. Lucasoxx shares how the Tezos blockchain provided a space to nuture a spirit of experimentation and provides new opportunities for artists in LATAM.

EditArt, a platform for generative art, is focusing on a simple premise: what if collecting art was an act of creation? Founded by software engineer and generative artist Piero G, EditArt is an interactive platform that is reshaping the relationship between the artist(s) and their collectors.

Collector iki-jima shares his favorite artists and how he started his collecting journey.