Before the web learned to scroll, Auriea Harvey was teaching it to feel. With Me and My Ghost (2024), Harvey goes back in time. The series resurrects webcam images she generated in 2001 of  abstracted self-portraits, mirrored, glitched, and layered.

Born from the early experiments of blockchain art, bootloader: revives the overlooked expressive potential of SVG and JavaScript.

Leander Herzog’s Flips creates a spray-like aesthetic as a side effect of recursion, balancing urban energy with computational precision. The scale invites sweeping views and intimate zooms, revealing a multitude of details.

Sasha Stiles' Cursive Binary may appear to be digital calligraphy, however, it is in fact an entirely new language for transhuman communication, fusing human cursive with the binary code of machines.

Discover the story behind Newtro, a hybrid collective, peer-learning platform, and curatorial laboratory. Lucasoxx shares how the Tezos blockchain provided a space to nuture a spirit of experimentation and provides new opportunities for artists in LATAM.

EditArt, a platform for generative art, is focusing on a simple premise: what if collecting art was an act of creation? Founded by software engineer and generative artist Piero G, EditArt is an interactive platform that is reshaping the relationship between the artist(s) and their collectors.

Collector iki-jima shares his favorite artists and how he started his collecting journey.

Character projects have become a cornerstone of the web3 space and beyond the hype, the format offers a playful canvas for artistic and quirky expression. This piece examines three distinct Tezos collections – Tezzardz, Dickrbuttz, and FRATZE – that together illustrate a spectrum of approaches to digital ‘identities’.

Kyle Flemmer profiles three rule-breaking artists included in the forthcoming Tezos Art Review (TzAR): Pixel Art Anthology.

Collector Absurdeity shares his favorite artists and how he ended up collecting over 15,000 artworks on Tezos.